Pizzetti wrote several books, mostly of musical criticism (he co-founded a journal of modern music, Dissonanza in 1914), but notably also a biography of Niccolò Paganini. His music is lush, diverse in terms of what he asks of his orchestral players, and sincere. It fits well with the times, being not all that dissimilar to the beauty and drama of Claude Debussy and Vaughan Williams; and it yet fits even more perfectly into the history of Italian sacred music and operatic canon. A true delight to discover him here.
In the wake of PledgeMusic’s demise and impending bankruptcy, musician website-building platform Bandzoogle has stepped in to fill the crowdfunding void.
Once you decide whether you’ll be using a USB or XLR, choosing the right mic all comes down to features. The most important feature of a podcasting microphone is the polar pattern. Polar patterns pick up what a microphone can “hear.” Some microphones have a fixed polar pattern, while others can select between multiple patterns.
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Hein almost mentions this in passing, but it’s an interesting concept to keep in mind these days. Our new “teachers” may in fact be the unnamed, unseen, un-interacted-with software engineers and designers who created the DAWs (as well as the plugins inside them) that we use for almost all things musical in the 21st century. Those folks shaped how we learn about engineering and production, recording, and even composition, and learning to use their software inevitably means learning about those concepts from the lens of the software’s interface and application.
“FEFE”: Welp, almost none of the section lengths here are standard. The bridge is really like some kind of early outro that incorporates the refrain, and then the outro-outro also mixes in the refrain, just in a different way. Who even knows anymore?
Becoming one of the most highly regarded violinists and young composers of his time, he also ended up influencing the great opera composer Giacomo Puccini. Yet in 1864, he gave up touring for good. He moved back to Brescia to focus on composing — which he did with some vigor. He wrote a series of very influential string quartets, two operas, cantatas, orchestral and symphonic works, and some church music, as well as that beast of a scherzo above!
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In this edition of “Talking Points,” influencial composer Igor Stravinsky shares his thoughts on composition, creativity, craftsmanship, and other topics.
They’ve essentially leveraged and reoriented a ton of the built-in features that their website-building service already provided to give musicians a way to design project campaigns and incentivize their backers with rewards. Here’s how it works.
Check out Soundfly’s free course made in partnership with Carnegie Hall, The West Side Story Companion, to learn more about the history of this work and what makes it so unique.
Even though the music industry is littered with cautionary tales of legendary songwriters who signed away their rights, it still exists as an option for songwriters with a back catalog of valuable songs. Songwriters in need of quick cash can contact companies like Royalty Exchange who will auction off some or all of their songs to the highest bidder. Publishing companies also often purchase portions or entire catalogs from writers for large sums of money.
“We had to go to the balcony in the middle of the hurricane, and grab the window, and shove it into place,” she says. “Then, the door started opening and closing; we had to tie the window to the door and pray that both of them wouldn’t fly away.”